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Berta Burr

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Open a larger version of the following image in a popup: Berta Burr, 8/29, 2019

Berta Burr

8/29 (detail)

2019

oil on canvas

18 x 24 in.

Open a larger version of the following image in a popup: Berta Burr, 8/29, 2019
Open a larger version of the following image in a popup: Berta Burr, 8/29, 2019

Berta Burr

8/29 (detail)

2019

oil on canvas

18 x 24 in.

Open a larger version of the following image in a popup: Berta Burr, 8/29, 2019

Berta Burr

8/29 (detail)

2019

oil on canvas

18 x 24 in.

Open a larger version of the following image in a popup: Berta Burr, 8/29, 2019

Berta Burr

8/29 (detail)

2019

oil on canvas

18 x 24 in.

Open a larger version of the following image in a popup: Berta Burr, 8/29, 2019

Berta Burr

8/29 (detail)

2019

oil on canvas

18 x 24 in.

Open a larger version of the following image in a popup: Berta Burr, 8/29, 2019

Berta Burr

8/29 (detail)

2019

oil on canvas

18 x 24 in.

8/29, 2019
oil on canvas
18 x 24 in.
Copyright Berta Burr 2024
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Berta Burr's 8/29 is an 18 x 24 inch figurative sky scape in oil on canvas. With a palette of saturated azure blues, pale grays and bright whites, the artist...
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Berta Burr's 8/29 is an 18 x 24 inch figurative sky scape in oil on canvas.  With a  palette of saturated azure blues, pale grays and bright whites, the artist depicts a large puffy cumulus in a summer sky.  Luminous white at its top and gray at the bottom, Burr has keenly observed and painted the many tiny nuances of an effortless, weightless cloud.  Focussing her keen eye and skillful brush on the shifting palette of just sky devoid of any other landscape elements, Burr encourages us to stop, breathe, and take note of the ever-changing beauty of our world, as we once did as children, gazing upwards.

 

Burr says, "My painting is motivated by a need to view the world with a degree of detachment that allows for the possibility of beauty."  Her sky scapes are a statement of calm in these chaotic times. 

 

A native of Buffalo, New York, Berta Burr grew up near the Albright Art Gallery (now the Albright-Knox), which gave her early exposure to modern and contemporary art through its world class collection.  Her interest in fine art was further nurtured at home where, as the daughter of an avid amateur artist, art materials were never in short supply.

 

Establishing a studio in 1967 with her husband Walter, an accomplished harpsichord maker, Burr worked as a harpsichord decorator specializing in 17th and 18th century styles, an exacting discipline which honed her skills as an artist.  Work as a gilder and restorer has given her a rare and informed level of craftsmanship.

 

Since the early 1990s Burr's studio output has been directed toward original paintings in oil energized by her unique eye and training.

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